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SMOG’s Sunday Sessions is back for another successful round at Los Globos, and this time with an awesome lineup of Kode 9, Salva, and Kuma. Pulling artists from a few of the major cities making a dope imprint in the music scene (London, Vancouver, San Francisco), this episode of SMOG Sundays is sure to be a massive hit.
We managed to catch our boy Salva just before his slew of shows for the weekend for an interview, which was a fun little exchange and well worth a read. Salva has a great insight for music and after completing the Red Bull Music Academy, pushing out tons of music including a full album, and hosting events through his own record label, seems well on his way to becoming even bigger and badder. Big ups to Salva, and can’t wait for Sunday!
Hi Paul! How are you, what have you been up to this week?
I’m good! Just got back from New York; I played The Do-Over in Brooklyn this past Sunday which was insane.. Just been grinding in the studio all week, getting ready for the weekend of shows.
It was wild, haha. Once you get all of us FoF fools together it’s always jokes. I think Boiler Room is one of the biggest things in underground music this year — I love what they do and I’m humbled to have done it. A lot of people were watching I was kinda shook, I had to medicate hahahah. I think an Innovative Leisure Boiler Room would be dope, think they just signed Nosaj Thing and Classixx.
Speaking of Friends of Friends, they’re doing some really dope stuff in a creative and fresh way, it seems… how did you become a part of them and I guess just tell us a little bit about the FoF movement (and if you can spill the beans on what’s up next)?
I used to book shows when I lived in SF and I think I hit up Leeor (head of FoF) about booking Shlohmo for our weekly…this was almost 3 years ago already. I sent them some demos and signed a 45, that turned into an EP, that quickly became “yo lets do this album”. My record Complex Housing came out at the beginning of last year and I hit the road, and man I guess everybody was doing their thing and we all just popped shit off together. I got real close to all these cats and now we’re a big goofy family. All I can say on whats coming is amazing stuff, new records from everybody…and they just launched a side label focusing on deep dance stuff called Young Adults which is pure class.
You just moved out to LA early this year, after living in quite a few cities before hand. What’s the perks of living out here? What do you wish existed here that doesn’t?
I hope to never leave LA!! I moved here at the beginning of last year actually, right when my album came out.. I’ve just been in the road so much I’ve had to enjoy our city in small doses. But I’m really feeling at home now… the food is dope, weather of course, so much good music cracking off, and I got the team here. I’m home for sure.
How was being a part of RBMA? What are your favorite aspects / memories, and who would you recommend it to?
I always say it, but I’m not ashamed of being a cheerleader — RBMA changed my life. I can go on and on about it but anybody involved in music in any capacity should consider applying. The folks involved with organizing it are amazing — they’re all legit music heads and that’s why they do it, because they love music. It’s a beautiful thing. I got to be in the studio with some of my heroes like RZA, Bootsy Collins, Mannie Fresh, Trevor Horn, Nile Rodgers and others, and I made best friends with many of the other participants. It was a crazy experience.
2012 truly seems like the year to pioneer new waves of what we define as club music, something you’ve been pushing for a while now. What are you excited about with what’s going on, and what do you hope for in the forseeable or distant future?
No different from any year previous — there’s new trends, new sounds, new hype…haters and enthusiasts, and a wealth of young talent making shaking everybody up hahaha. Regardless, at the end of the day, if you dig, there’s an endless amount of good music being made right now that will suit what you love. It’s inspiring. I’m really optimistic — as much as certain trends get blown out, I feel the ascension for underground music is quicker than ever, and pop music is more forgiving than it’s ever been for WEIRD shit. Now more than ever is the time to DO YOU.
Any studio or pre/post set rituals?
My medical card has recently expired so legally I’m not at liberty to comment.
Something you wish you had while producing / djing?
When I get mega paid one day (haha, just putting it out there into the universe) I’m getting a big Funktion One or Void sound system in my house. I wanna be able to test all my tunes on a massive rig at home. Oh, and throw family style breakfast raves.
Any misnomers / rumors / etc about yourself or the industry you’d like to squash?
I promise I was never a part of the Las Vegas all male nude review “Thunder Down Under.”
What’s up next for Salva/FriteNite/etc?
Frite Nite is cracking, we have a new 12″ coming next week from B. Bravo and Teeko — which is all analog synth real life true blue FUNK MUSIC. Those cats are some of the realest musicians I know. Then next month we have a big filthy 2 track release from Clicks & Whistles that’s been my secret weapon and I’m excited to put out, and then shortly after another classic Grenier release.
As for me, I’m in the lab trying to get better…always. I’m working on a lot of various productions for other artists, remixes and solo stuff. I’m working on getting another proper solo release out very soon.
Favorite Kode9 song?
I always liked that tune “Black Sun”, it’s really warped out and has a cool old school funky electro bassline. I just saw him play for like 15k people at Sonar in Barcelona a few months back and it kinda fucked my brain up a little.
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